Awards and Criteria
The organization departs from many conventions of other award-giving bodies, both in the Philippines and in other countries, in bestowing cinematic honors. For instance, the award for Best Film of the Year is reserved for the director such that no separate prize for direction is needed. The Best Performance award is most coveted as it is conferred on a screen performer whether male or female, adult or child, individual or as part of an ensemble, in leading or supporting role. To uphold a more dynamic and encompassing way of looking at films, technical honors refer to fusion of outstanding efforts in fields otherwise deemed apart. In this case, the Best Cinematography and Visual Design recognition covers both camerawork and art direction. Similarly, Best Sound and Aural Orchestration encompasses not sound engineering alone but musical score as well.
YCC draws its selection from both regular and non-regular releases comprising the entirety of annual Philippine cinema output. Films considered for discussion are those that had at least two screenings in any public venue. The group first comes up with a long list, where each film on the list is discussed as to its merits and demerits. The list is further narrowed down to a shortlist of any number. Only short-listed films earn the privilege to be nominated for any of the six categories that are handed out each year. YCC does not confer nominations on artistic or technical merit if the film does not qualify in the shortlist.
The seven awards handed out every year are:
- Best Film
- Best Performance
- Best Screenplay
- Best Editing
- Best Achievement in Cinematography and Visual Design
- Best Achievement in Sound and Aural Orchestration
- Best First Feature
Best Film of the Year refers to vision and direction that pay sensitive and keen attention to both the language of cinema (“presentation”) and social reality (“representation”), in the process refunctioning the possibilities of film as progressive art and popular culture. The Best Picture citation is awarded to the Director not so much because he or she is the auteur or the central intelligence of the film, but because his or her work lies at the conjuncture which coordinates filmmaking.
Best Screenplay refers to the rhetoric of writing for film that articulates the complexity of social life and personal perturbation through narrative logic or political conviction; or simply through well-thought out dramatic tension that explores contestation between the personal and the political, the individual and the collective, the private and the public. The Best Screenplay award is given to the writer of the film.
Best Performance refers to acting, to the playing out of a role or character that implicates emotion, feeling, and experience in the social conditions of the personal and in the political economies of habit and gesture and how these forge the body politic. The Best Performance citation is handed to the Performer, whether male or female, adult or child, in major or supporting role, individual or ensemble.
Best Achievement in Editing refers to the configuration of relationships of time and space among scenes in a film that is able to synthesize, engage in collision, reconcile, or transgress connections through the complex interplay of mise-en-scene and montage. The Best Editing trophy is given to the editor.
Best Achievement in Cinematography and Visual Design refers to the mise-en-scene and its visual/plastic qualities production design, lighting, art direction, visual effects that lend form to whatever representation is projected on screen. The Best Cinematography and Visual Design honor is conferred on the cinematographer and the production designer.
Best Achievement in Sound and Aural Orchestration refers to the rendering of the auditory aspects of film music, natural sound, sound effects as these are counterposed against or harmonized with the language of image, and so become meaningful sign systems on their own. The Best Sound citation is awarded to the sound engineer and the musical scorer.
Best First Feature refers to outstanding narrative or documentary film that is the first feature-length work of a director. The Best First Feature citation is conferred to the directors of three selected first features.